Behind the wall｜牆後
hardware parts, motor, paper, surfboard, spotlight.
Dimensions variable, Waley Art, Photo by Wang Jhong-Ping, Taiwan 2022.
廢五金零件、馬達、紙、浪板、投射燈，尺寸依場地（水谷藝術），王仲平攝影，臺灣，2022。
According to the vertical design of the exhibition hall itself, a piece of artwork that cannot be seen in its entirety was created on the highest floor. Viewers can only catch glimpses of it through the window's silhouette by standing in the stairwell. Behind the door, there are occasional loud operational sounds, as if an invisible machine is continuously running in the background. Through the visual void, the possibilities for imagination are expanded. The closed door enhances the overall enclosed nature of the exhibition hall, while also responding to the recurring concept of cycles mentioned throughout the entire exhibition.
依展場本身垂直向上的設計，因而在最高的樓層製作了一件看不見全貌的作品，觀者只能透過佇足在樓梯間的方式，藉著窗的剪影，而門的後方也會不時傳出巨大的運作聲響，如同一台隱形的機器在後方持續運轉。透過視覺上的空缺，擴大想像的可能性，被關上的門，使得整個展場的封閉性得到了強化，同時也回應了整檔展覽中不斷被提及的循環概念。
Footage recording｜Yao-Jyun LIOU 動態影像紀錄｜劉耀鈞