Unmanned construction site｜無人施工現場
copper bars, motor, site cap, site gloves, 28×20×58（cm）, Taiwan, 2016.
銅條、馬達、工地帽、工地手套 ，28×20×58（cm），臺灣，2016。
This work was inspired by the imagination of a handle. In our surroundings, it is not difficult to see handles, especially on construction sites where they are constantly being used. I became interested in the idea of "artistic production" in relation to the act of construction itself. I began to question whether the act of creation could be connected to myself, and I created a wearable device. Through the movement of motors, the handle continuously swings back and forth, and the construction gloves repeatedly hit the user's face. This seemingly futile and absurd production, within the realm of art, can also be considered as a creation of abstract sensations. Is this accumulation of absurdity also a form of productivity?
這件作品發想來自於對於吊手的想像，在我們所處的環境中，不難見到，在施工現場中，是一個不斷被生產的場域，而對於那個生產我便感到有興趣，便開始試著提問「藝術生產」，與建構本身是否能與自己產生關連，並製作了一個穿戴式的裝置，藉由馬達的運轉，吊手會不停的前後擺盪，工地手套也會不停地打在使用者的臉上，而這種看似無效又滑稽的生產，在於藝術領域之上，是否也能算是一種，抽象的感受被製造出來，而這種荒謬的累加是否也是一種產能呢？